format: Beta SP (transferred from 16mm)
"The Market" is about buying groceries and preparing food for winter. It deals with the tendency of the buyers to buy domestic products, considering them thus better than those foreign and imported, no matter the method of their cultivation. "The Market" explores people’s behavior during ordinary, everyday shopping on market places.
director, screenwriter, animation: Ana Hušman
cinematographer: Ivan Slipčević
sound recording: Ana Hušman
sound design: Tomislav Domes
editor: Iva Kraljević
executive producer: Maja Jurić
Market shoppers use all of their senses when trying to ascertain whether the groceries are local or imported. The privileging of local produced over imported goods is ever present regardless of whether or not the groceries are actually better, this follows to lines of argument - that by buying Croatian produced goods they are supporting Croatian agriculture and that domestic products are more familiar and more tasty, although it is not the origin of the goods but the method of its production that counts. They rather choose to buy local goods simply because they are "ours, Croatian, local”, and not some foreign, unfamiliar and alien foodstuff which is therefore deemed of lesser quality.
For the preserves traditionally prepared to last throughout the winter, only local production is considered worthy, it has to be treated, and conserved, for it to be safe, and caught at its best moment of maturity. This process demands that all foreign bodies be destroyed, that only the best pieces are used, those without fault, all this need be cleansed for the preserved to be safe from all decay.
Ana Hušman's practice disassembles the structures and textures of cinematic elements through film, installation, books, sound, image and text. Hušman experiments with the possibilities of animation, documentary and fictional cinematic methods, and the possibilities of the recorded voice and its articulation. Her working process questions and plays with the positions of the amateur and the professional subject of performativity, the medium itself, and the structures that dictate and produce patterns of behavior. She is a lecturer at the Department of Animation and New Media at the Academy of Fine Art in Zagreb and co-founder of the documentary film organization RESTART where she has been holding film education programs for children and young people for many years.
Her works have been shown at festivals and exhibitions including: Gwangju Biennale, October Salon Belgrade, Medienturm Gallery Graz, Ludwig Museum of Contemporary Arts Budapest, International Film Festival Rotterdam, DOK Leipzig.
A Room for Living (2018), I Love You, Ines (2017), Almost Nothing (2016), Postcards (2013); Football (2011); Lunch (2008); The Market (2006); Home (2003); for 2 (2003); Meršpajz (2003); Daily Progress (1999)
Animafest, Zagreb; Tabor Film Festival; 25FPS International Experimental Film and Video Festival, Zagreb; Split film festival; Uppsala International Short Film Festival; DOK Leipzig; Kassel Documentary Film and Video Festival; Rencontres Internationales Paris/Berlin; l'Alternativa; Regensburg Short Film Week; Exground Film Festival, Wiesbaden; Animateka, Ljubljana; Stuttgart Filmwinter; IndieLisboa; DOXA Vancouver; Documenta Madrid; EcoVision Festival, Palermo; Expresion en Corto, Mexico; Motovun Film Festival; Madcat, San Francisco; FIKE, Evora; Cork Film Festival; Sapporo film festival, Japan; Mediterranean Film Festival, Montpellier; Lausanne Underground Film & Music Festival; Balkanima, Beograd; Curtocircuito; Interfilm Berlin; Bochum Videofestival; Festival du Court Métrage, Bruxelles; Berlinale - Berlin International Film Festival 2009; Festival Cineposible, Spain; New York Int'l Children's Film Festival; Green Film Festival, Seoul 2009; Melbourne Int’l Animation Festival; London Int’l Animation Festival; Chungmuro Int’l Film Festival, Seoul; Lago Film Festival, Italy; Int'l Film Festival Bratislava...