Almost Nothing

Ana Hušman

experimental film

year: 2016

format: 16mm, HD
duration: 15'50"

production: Pangolin
distribution: Bonobostudio

As I record the vegetation on a Dalmatian island resisting the gusts of wind, the sounds reveal a wide range of changes in the landscape, brought about by land management policies. Transformed into wind, these changes return to our houses and apartments, creating a complex feedback loop between the interior and exterior spaces.


More About the Film

As Jean-Luc Nancy says, our pleasure in views, scents, and sounds has been a political issue since the birth of Europe. The idea of landscape has nothing in common with the idea of unspoiled nature. Landscapes are formed through planned deforestation, afforestation, and controlled planting. These processes are influenced by economic, health care, and other policies, documented in the systematic and taxonomic terminology of the land registry. By mapping the island flora and recording the resistance of the vegetation to the wind, as well as the resulting sounds of friction, I document the sound signals that reflect the changes, fashions and economic conditions of a particular location. These cultivation policies return to our houses and apartments like the wind, creating a complex feedback loop between the interior and exterior spaces.

Script and directing: Ana Hušman
Director of photography: Ivan Slipčević
Editor: Iva Kraljević
Sound recording: Ana Hušman
Sound design: Tomislav Domes
Voice over: Gordana Kovačić, Christian Bushill
Producer: Ana Hušman

Ana Hušman's practice disassembles the structures and textures of cinematic elements through film, installation, books, sound, image and text. Hušman experiments with the possibilities of animation, documentary and fictional cinematic methods, and the possibilities of the recorded voice and its articulation. Her working process questions and plays with the positions of the amateur and the professional subject of performativity, the medium itself, and the structures that dictate and produce patterns of behavior. She is a lecturer at the Department of Animation and New Media at the Academy of Fine Art in Zagreb and co-founder of the documentary film organization RESTART where she has been holding film education programs for children and young people for many years.
Her works have been shown at festivals and exhibitions including: Gwangju Biennale, October Salon Belgrade, Medienturm Gallery Graz, Ludwig Museum of Contemporary Arts Budapest, International Film Festival Rotterdam, DOK Leipzig.


A Room for Living (2018), I Love You, Ines (2017), Almost Nothing (2016), Postcards (2013); Football (2011); Lunch (2008); The Market (2006); Home (2003); for 2 (2003); Meršpajz (2003); Daily Progress (1999)


Best Sound Design, Liburnia Film Festival 2017


Days of Croatian Film (21/4-24/4/2016)
Kratki na brzinu - Revue of Croatian Short Films (12/5-15/5/2016)
Tabor Film Festival (7/7-10/7/2016)
EXiS Festival, Seoul (7/7-14/7/2016)
Visura Aperta Festival (16/8-19/8/2016)
25 FPS Festival (29/9-2/10/2016)
Uppsala International Short Film Festival (24/10-30/10/2016)
Kassel Documentary Film and Video Festival (15/11-20/11/2016)
Alternative Film Video Festival (7/12-11/12/2016)
Belgrade Documentary and Short Film Festival (30/3-2/4/2017)
ETNOFILm Festival, Rovinj (27/4-29/4/2017)
Seven Days of Creation Art Festival, Pazin (13/8-19/8/2017)
Liburnia Film Festival (22/8-26/8/2017)