format: DCP, HD
Places We’ll Breathe is an audiovisual essay that advocates imagination through a travelogue of constructed and anonymous landscapes. It is a note about the future. Narratives that intertwine in the interstices between the visual, the auditory, and the expressed, speak about loss, exploration, presence, vigilance, responsibility, struggle and freedom.
Directing, script, editing: Davor Sanvincenti
Director of photography: Ivan Slipčević
Camera: Ivan Slipčević, Davor Sanvincenti
Sound design: Miodrag Gladović, Davor Sanvincenti
Sound mix: Miodrag Gladović
Music used: Pan Sonic, Ernst Reijseger, Davor Sanvincenti, Women's Vocal Ensemble Srijane
Davor Sanvincenti (1979) is specifically interested in a field of audiovisual phenomenology and anthropology of visual culture, particularly focused on the conditions and forms of human senses and perceptions. His practices find form in a variety of media – film and video, photography, physical light and sound installation and live media performance. His work plays with the concept of illusion, exploring the possible boundaries of perception and the construction of experience.
Places We’ll Breathe (2022), Almost Nothing: So Continues the Night (2017), Disintegration of unprocessed film within the magnetic loop (2016), Blue Arpeggios (2012), The River (2009), Ana is Gone (2009), V-AV Winter (2008), En el Nadal (2008), Water Portrait (2007), Katarina 06 (2006), Neige (2006), Symmetric Cells Migration (2006), 2.3 (2005), A.M. (2005), N° (2003), Re_cycl (2003), Believe (2002), Bit of Human (2001)
International Film Festival Rotterdam (26/1-6/2/2022)