Places We’ll Breathe is an audiovisual essay that advocates imagination through a travelogue of constructed and anonymous landscapes. It is a note about the future. Narratives that intertwine in the interstices between the visual, the auditory, and the expressed, speak about loss, exploration, presence, vigilance, responsibility, struggle and freedom.

Directing, script, editing: Davor Sanvincenti
Director of photography: Ivan Slipčević
Camera: Ivan Slipčević, Davor Sanvincenti
Sound design: Miodrag Gladović, Davor Sanvincenti
Sound mix: Miodrag Gladović 
Music used: Pan Sonic, Ernst Reijseger, Davor Sanvincenti, Women's Vocal Ensemble Srijane 

Davor Sanvincenti (1979) is specifically interested in a field of audiovisual phenomenology and anthropology of visual culture, particularly focused on the conditions and forms of human senses and perceptions. His practices find form in a variety of media – film and video, photography, physical light and sound installation and live media performance. His work plays with the concept of illusion, exploring the possible boundaries of perception and the construction of experience.

Filmography (selection)

Places We’ll Breathe (2022), Almost Nothing: So Continues the Night (2017), Disintegration of Unprocessed Film Within the Magnetic Loop (2016), Blue Arpeggios (2012), The River (2009), Ana is Gone (2009), V-AV Winter (2008), Water Portrait (2007), Katarina 06 (2006), Neige (2006), Symmetric Cells Migration (2006), Re_cycl (2003), Believe (2002), Bit of Human (2001)

Awards

• Best Cinematography Award, Liburnia Film Festival 2022
• Jury Special Mention, 25 FPS Festival 2022
• Best Original Soundtrack, Kinoskop – Analog Experimental Film Festival 2022
• Best Film Award, Interface Video Art Festival 2022
• Oktavijan Award for the Best Experimental Film in 2022
• Best Editing Award, Croatian Film Days 2023
• Special Mention, Tabor Film Festival 2023